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Artless

by Dave Banks

supported by
Bjorn Frengstad
Bjorn Frengstad thumbnail
Bjorn Frengstad Artless
is pure art - unless
I'm headless and
heartless Favorite track: Mad.
/
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1.
Artless 03:33
The days are waxing longer. The summertime is nigh, But lyre’s strings are silent, and the poets barely sigh, And strutting, fretting actors perforce forego the stage. Ah. Sumer is Icumen In – a guileless, artless age. Lyric and music by © Dave Banks 2020 Traditional lyric: Sumer is icumen in Loude sing cuckoo Groweth seed and bloweth mead and springs the woode nu Sing cuckoo Ewe bleateth after lamb Loweth after calve ku Bullock starteth, bucke farteth Merry sing cuckoo Well singest thou cuckoo
2.
My five-year old eyes edge across the chocolate box chessboard; slyly surveying alternate chequers: light and dark, of cocoa depths, of milk, of soft and harder centres of bittersweet and sugarsweet, of nougat and of nut. Each piece with its peculiar persona, from pawn-like pralines, sacrificed en passant, to key components, commanding diagonals, king-slaying combatants. Me. A prodigious grand master on this stage of strategy. Kasparov against his nemesis: his pyjamaed Dad, eyes Deep Blue, in Saturday morning lethargy; Chocolates in bed, a ritual weekend luxury, swept down from the Smoke on the Friday night train, and served up with tea and a custard cream. My move, by convention, is first. I favour the lime barrel, its tangy, verdant drippiness ideally crafted to infant tastes. But. I also have a penchant for that creamy half-moon segment. The orange fondant. My daddy’s signature piece. Dilemma. Do I secure my position? Take the barrel while I may? This spangly citrus bomb, viridian essence; liquor from South Italy. A Sicilian defence? Or do I play the gambit? Swipe enemy’s orange from the tray? And leave the lime to languish? Vulnerable? Never! Non! Jamais! I glance up. My father’s steely eyes, inscrutable as seconds slip away. A Nazi’s eyes - too alike mine own - capable of sacrificing self, and pawns, and bishops to secure the day. He is the New World Order, Where fruity fondants are swept into the maw without mercy, without quarter. My mother, watching these rivals, dear yet fell, has other tastes. Her brown eyes covet coffee, hazelnuts, and cracknel. For she can wait. She knows when battle’s done and we have reached endgame, the debris of the chocolate box will be hers to claim. Poem: © Dave Banks 2019
3.
Quiet flows the Don, and green grows its valley Born in Midhope, flowing down to the sea Where fat cats and gard’ners rest, and lovers dally Mine to forge to warping sluice and the slumbering estuary Sprung from wells and coal pits on the flank of the Dark Peak Iron-stained or limpid as uncloaked destiny Woodhead and Townhead, Sheephouse and Bullcliffe Innuendo, Penistone, out you wend to the sea Wharncliffe and Oughtibridge and on to Philadelphia Haunt of owl and warbler and Branson’s Cockertoo Parkside, switchblade, caramel and nougat The heart of steel city, the river running through Deepcar Neepsend Not quite a Jaguar Deep end Deepcar Neepsend Yorkshire caviar Best friend Brightside, a hall of meadows running into Rotherham Glades of cowslip, meadowsweet and honesty Otters play, the halcyon dives: no man there to bother ‘em The fifth river of Eden; God’s own hydrology Greasbrough and Denaby; the viaduct and Sprotborough; Savour Thorne’s breathing moor. This undinal jewel then goes Dutch in the flatlands, feeling continental, To the estuarine ooze and the dreaming spires of Goole Sheffield Sex City Discover Mexborough Deepcar Neepsend Sand bar Deep end Lyric and music © Dave Banks 2021
4.
Mad 02:49
We called you Mad Pat We called you Mad Pat, on account of you disbelieved the events of ’69; that Aldrin and Armstrong had somehow spun you some line about moon dust and coke cans and flags in the wind of an Arizona studio. Yet often you could be among the sanest that I know. And smart. You knew life was fleet. To be spent in music, dance, And care for the sick. And that money comes by happenstance to be blown on halves of fizzy lager; tribute bands. A saner mind is seldom seen; and so it’s somehow strange that We called you Mad Pat. We called you Mad Pat We did… We called you Mad Pat, the lass from the ‘Pool - and though it’s always rude to quibble We knew that we could rile you - saying that…well, actually… Birkenhead’s on the Wirral. You loved Lennon, Lemmy, bikes, Asian tigers, and, strangely, you thought highly Of ancient Sparta, 300 warriors and its victory at Thermopylae. We’d often find you, comfy in the Peacock’s nook, engrossed In earphone heavy metal reverie. But from your observation post You’d sally forth and talk in pleasant company. And your innermost Solitude was a strength - yet vulnerability. It really makes me wonder that We called you Mad Pat But…We called you Mad Pat Mad “Ringo” Pat, demon of djembe, tom and tambourine With bags of percussion beneath your stool, secreted unseen Yet somehow heard. Of the two qualities required for timpani (enthusiasm and a sense of timing), you had at least one, and that’s fine by me. For you taught me to play to a counter-rhythm. It’s a thing that’s called “jazz”. Pat, You deafened the room with your laugh and pazazz And there’s a hole in the band and our hearts and the pub as We sing for you. Mad. Epic Spartan Galahad. Heavy-metal Ironclad. Indomitable Stalingrad. Moonshot Saturn Five Launch-Pad. Sail safe, Pat, at daylight’s end. Woman. Dancer. Stranger. Friend Poem © Dave Banks 2019
5.
1. My name is Zazza and I come from Al-Kairouan I left my home and family for Nanterre; Rue de la Garenne I left for Bidonville I left for Bidonville They promised flushing cisterns and bathrooms bright and clean But we just share a faucet and a cold outdoor latrine. And the colours of the rainbow were just leaking gasoline In Bidonville 2. Zazza dreamed a Zazza dream of Parisian haut cuisine Of fine ragout de Mouton, instead of lamb tagine Vive la Bidonville Yeah, Bidonville They promised us good wages and the glamour of the silver screen A dream of golden paving stones, and electric washing machines But the dream of the colours of the rainbow, was just leaking gasoline Down in Bidonville In Bidonville 3. My mum was in the theatre, my father I’d never met Born by a bonfire on a tourist beach just outside Hammamet Allons à Bidonville Allons à Bidonville They promised us salvation by the Grace of St Augustine But we were damned to a bit part in a tragedy by Racine And the promise of the colours of the rainbow was just leaking gasoline In Bidonville Bidonville 4. A product of the workshop of Jeanne Petitbois Rich girls playing Bidonville. The art of the petit bourgeois. Jouons à Bidonville Jouons à Bidonville The promised us a starship ride to a universe unseen But all we got was a film set in the deserts of Tataouine / Tatooine And the promise of the colours of the rainbow was just leaking gasoline In Bidonville Bidonville Lyrics and melody © Dave Banks 2021
6.
Icebound 01:55
When I was young. In the days of my youth We’d skate about on the ice of friendship. Sliding, whooping and joyful. Sure – sometimes we’d collide, bobble hats flying And collapse on the ice in a tangle of limbs. But always safe, knowing that the pond was solid. Full inches five of frozen floor, separating us From the mulchy pike-filled depths. And we’d pick ourselves from the shards of our fall, Brush each other down and head off home for Horlicks and to dry our sodden mittens on the stove. But now that I am grown, the evil days have come. The weather is awry and the climate is a-changing. The ice of friendship has waned thin. And Now it seems to creak and glint alarmingly. I dare not venture from the shore. For fear A wayward step or misplaced blade will shatter all. And the murk will take me, and frozen floor become a roof Of glass and bubbles and embedded leaves from autumn’s oaks. We skate around the issues, not the ice. Our glory days behind, Iron Lotus unfulfilled. The air is damp with unuttered truths That we dare not tell. It looks like rain and soon the Hyperborean realm will become just pond life. And the pike rise to the surface. © Dave Banks 2020
7.
Jacob’s Black Dove was singing today Under the shade of the broad apple tree and down by the bench with the view of the Vale Andy was calling out harmony to Jacob’s Black Dove’s sweet melody to her song to her melody to her tumbling, diving melody And the world stopped still for a moment apart and the cows looked up and the drone of the bee was the chant of a bass and the cords of my heart found a counterpoint that pinioned me on the bars of the Black Dove’s sweet melody of her song of her melody of her spinning, her soaring melody Jacob’s Black Dove - a sweet summer vagrant swooping into our minds and our ears. In the Green Garden, ‘neath blossom all fragrant, or sharing our table, our laughter, our tears. And she spun and she dove and she left us her feathers of rhythm and rhyme and to us she was Jacob’s Black Dove. And the world exhaled and turned on its axis precisely aligned with the neck of her lyre. Dandelion clocks like frozen explosions were swept away like ash from the fire of Jacob’s Black Dove’s sweet melody of her song of her melody of her aerial acrobat’s melody. Melody: © Sue Jones and Dave Banks 2014 Lyrics © Dave Banks 2014

about

An EP of gentle music and peoms.

credits

released May 14, 2022

Recorded by Dave Banks in Chesterfield on a AA-battery-powered tin can.

Expertly mixed and mastered by Tom Nash in Sheffield.

All instruments played by Dave Banks, except piano by Jenny Banks on "Bidonville". Sue Jones brings vocal magic to "Jacob's Black Dove".

Instruments: Dave plays basic Takamine and Fender acoustic cut-away guitars and a Takamine acoustic bass. Piano was a Casio electric keyboard. Synth and some percussion effects from Korg Volca modules. Mostly recorded direct to Audacity via a Røde condenser mic.

Inspirations: The blissful art-free summer of covid for "Artless". Tristan's mum for the title of "Chocolate Box Eyes" (a poetry challenge). Mikhail Sholokhov and Pulp's "Wickerman" for "Quiet Flows the Don". The much missed Pat for "Mad". Joan Littlewood's autobiography for "Bidonville". Blades of Glory" for "Icebound". The Arvon Foundation's songwriting workshop in general, and Rach and Andy in particular, for the afternoon of "Jacob's Black Dove".

Album artwork by Dave Banks

Released on Trousers! as Tro-018

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Dave Banks Chesterfield, UK

Dave Banks is a songwriter and musician from Chesterfield, UK. He has also played in "The Sedatives". "Me and Mr Jones" and "Poke O'Swedgers"

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